Shakespeare is fucked in the head
My friend Rowan and I have a bit of an Emma Thompson thing going. We're planning a grand rewatch of all her movies (except Maybe Baby and Henry V) that will end with Sense and Sensibility. Tonight we were watching Much Ado About Nothing. I don't think I'd seen it since it came out when I was 15. It was the first movie I ever went to see twice at the cinema - I loved it.
Seeing it tonight was a little different; I no longer consider Emma Thompson and Kenneth Branagh the perfect celebrity couple (which is good because neither do they). But we found one plot-line distressing.
Like most Shakespeare plots it's quite ridiculous. Claudio and Hero are betrothed and the villian* sets it up so Claudio will think that Hero is having sex with another man. Claudio confronts Hero at the wedding, throws her across the room. Her father is also abusive. Hero then pretends to be dead, but than makes no sense at all.
We couldn't listen to it; we changed the language to Polish so we wouldn't have to deal with how awful Hero's situation was. There were some nice moments - Emma Thompson was taking it all seriously, and Kenneth Branagh was backing her up, and choosing the abused women over his abusive friend.
But then Claudio and Hero marry - and we're supposed to be joyful about it.
There is a version of this play that I could watch - where the horror of Hero's situation was given weight, where their marriage is not a joyful event, but one the audience dreads. I feel the same way about Taming of the Shrew, from what I've read a feminist version of the play is usually one where Katherine implies she has some sort of power. I disagree, a feminist version would be one that played those events absolutely straight. Taming of the Shrew is a tragedy; a tragedy that occurs far more often than young lovers commit suicide because their parents don't like each other.
* Played by Keanu Reeves! He's only the second worst actor in the movie too - Robert Sean Leonard plays Claudio and we cracked up when he tried to act sad when it was revealed how wrong he was.
